tag:blogger.com,1999:blog-6656821189691902130.post3749997732087818224..comments2024-03-28T10:45:51.725+00:00Comments on Never Forget ~ Top of the Pops 1995: Top of the Pops by NumbersAngelohttp://www.blogger.com/profile/16090709386124664912noreply@blogger.comBlogger31125tag:blogger.com,1999:blog-6656821189691902130.post-56765819531890348692015-02-14T16:35:19.459+00:002015-02-14T16:35:19.459+00:00Check out the single 'Follow you anywhere'...Check out the single 'Follow you anywhere'. Didn't make the charts but was played a lot on Radio2.sct353https://www.blogger.com/profile/15640119850898956884noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-65076811913205292142015-02-14T16:31:39.699+00:002015-02-14T16:31:39.699+00:00Indeed. I never get tired of hearing this song!Indeed. I never get tired of hearing this song!sct353https://www.blogger.com/profile/15640119850898956884noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-8136071081591235242015-02-07T21:10:05.084+00:002015-02-07T21:10:05.084+00:00And will have added poignancy by being Sue Menheni...And will have added poignancy by being Sue Menhenick's last ever performance.Shaky Sladenoreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-34925988254274548582015-02-06T18:00:31.673+00:002015-02-06T18:00:31.673+00:00A bit late to the party on this one, so I'll b...A bit late to the party on this one, so I'll be brief.<br /><br />The Bee Gees song is pretty good - when I started on the radio it used to get the odd play but sadly not any more.<br /><br />I love all of New Musik's singles. I'm glad that we get to see 'Living by numbers' even though it's probably my least favourite of them all through familiarity.<br />'Straight lines' was on a banned show and - I'll be delirious if I'm proved wrong - I don't think the other 2 ever got on the show. One of them was probably out during the strike period in any case.<br />I've probably said it before, but 'Sanctuary' is my absolute favourite.<br /><br />The Sad Cafe song was weird and distracting, the Sister Sledge song quite the opposite. The Positive Force track I've never been keen on and the performance on this show didn't help matters.<br /><br />Dexy's Midnight Runners I also prefer in this phase of their career. 'There there my dear' is never on the radio but I think it's the best of their run of singles in 1980 /1. 'Dance stance' is OK, certainly their look alone must have got them some new fans.<br /><br />Amii Stewart's song was unusual, but unlike Sad Cafe's had me strangely glued to the screen (and not just because of the outfit, thank you very much!)<br /><br />Styx on the other hand made me hit the fast forward button.<br /><br />Rupert Holmes looks like an accountant. I can say that without offence because I am one. But I can't sing. Oh, hang on - it turns out that he can't either!<br /><br />The Jon & Vangelis song is lovely, although 'I'll find my way home' is the one I'm really waiting for. One of my favourite songs ever, that.Noaxnoreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-27958319400799797742015-02-06T13:36:49.939+00:002015-02-06T13:36:49.939+00:00One thing I took away from this edition was the hu...One thing I took away from this edition was the huge gulf between the look of American and British musicians in early 1980.<br /><br />On the one side you've got the perms and taches of Styx and Doctor Hook (with what must be the uncoolest back line of any band ever), plus Rupert Holmes with his Miami Vice-style outfit: on the other, the short-haired Madness, the docker-styled Dexys and the rocker cool, leather-jacketed Pretenders. Mind you, Sad Café, still stuck in the mid-70s, did let the side down a bit.TimThttps://www.blogger.com/profile/14953081013855148796noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-83374063732190983482015-02-04T08:48:34.101+00:002015-02-04T08:48:34.101+00:00i watched that kratwerk bbc4 doc last week, and wa...i watched that kratwerk bbc4 doc last week, and was rather disconcerted to find out that those talentless tw*ts coldplay filched from "computer love" hook line and sinker - hopefully ralf hutter ensured he got all the royalties?wilberforcehttp://www.gavinunderhill.co.uknoreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-38587865330685019582015-02-02T22:10:34.784+00:002015-02-02T22:10:34.784+00:00I must say I found Rupert Holmes' talk of maki...I must say I found Rupert Holmes' talk of making love in the dunes of the Cape rather unsavoury. With that beard, the guy from the Joy of Sex books was brought to mind. Was it subtitled "(The Piña Colada Song)" to assist the record buying public in identifying it in the shops more easily, rather like Crystal Waters' "Gypsy Woman (La Da Dee)" some years later?<br /><br />Interesting about the similarities between Living by Numbers and Glad It's All over, one that makes you think, oh yeah I suppose so, in the same way as you do about Tom Petty's I Won't Back Down and Sam Smith's Stay With Me now that Tom has secured himself 12.5% of Sam's royalties (although listening to the ubiquitous Stay with Me for the umpteenth time on the way home the inference is one of pure coincidence).<br /><br />I thought Tony Mansfield was solely a producer and didn't know he was the lead singer of New Musik so put his lack of charisma aside to bow down before the knob twiddler on one of the great undiscovered classics of the 1980s, Search Party's "Urban Foxes".<br />Shaky Sladenoreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-39504266113549475732015-02-01T23:45:53.169+00:002015-02-01T23:45:53.169+00:00A decent showing by Simon Bates, from Birmingham.
...A decent showing by Simon Bates, from Birmingham.<br /><br />Interesting to have the combination of electronic instruments and 12 string guitar for New Musik, with the catwalks keeping those baying crowds away. <br /><br />That Sad Café track sounded like a funky version of The Beatles’ “Baby You’re A Rich Man”. Paul Young loved that tie as he’d worn it before on the show – looking like a young Richard Baker to Tony Mansfield’s chubby Keith Harris.<br /><br />Is that a sub-Three Degrees? No, it’s most of the Sledge Sisters with sis left of stage not looking Sledgey facially to me. Sounded like a slower facsimile of “He’s The Greatest Dancer” – what was this called again?<br /><br />Aye Aye? Partay? This is Shepherd’s Bush on a Wednesday night! Positive Force with some fantastic outfits from Damart. The only TOTP showing for this song, as it shot into the top 20 the next week then dropped.<br /><br />Was Simon Bates standing above a ski jump slope prior to the Kevin Rowland workout video? “Dance Stance” was punchy yet eminently forgettable.<br /><br />Jesus Christ, it’s a Bounty bar ad! “What have I got to do to keep a hold on you”? Keep wearing that (lack of) outfit, Amii! Makes me wonder what she actually wore down to the supermarket. Fine vocal performance of a slow, dreary song and lots of facial close-ups. Boo!.<br /><br />Were Styx singing about a talking pig? Tasty with some green onions. Talking of which, great outfits and a spritely routine which the Leggers enjoyed.<br /><br />Rupert Holmes looked like the smug office prat. Hated the spoken ends to some of those lines. His wife must have answered that ad quickly for them to meet the same day as his ad in the paper. Imagine how quickly they’d have met in this day and age.<br /><br />So, after the crowds were kept away for our first studio act, almost a moshing scenario with the same stage for an obviously pleased Chrissie Hynde. I bet the lads in the band loved their fleeting cameos as Chrissie stole the show camera–wise. Still, she’s special!Arthur Nibblehttps://www.blogger.com/profile/11547006132533866220noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-4116481011694324462015-02-01T18:19:50.359+00:002015-02-01T18:19:50.359+00:00It was many years after the event - possibly 1990s...It was many years after the event - possibly 1990s - when it dawned on me that 'Glad It's All Over' had a distinctly New Musik feel to it, which prompted me to examine the small print on the label.<br /><br />Forgot to mention that the live performance from Positive Force had some impressive deep bass, which I didn't enjoy at first because my subwoofer had developed a very nasty buzz. Turned out to be a plastic carrier bag on the floor next to it.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-88728071465202735202015-02-01T13:00:37.872+00:002015-02-01T13:00:37.872+00:00I'd never noticed Glad It's All Over has t...I'd never noticed Glad It's All Over has the same chorus as Living By Numbers, but now you mention it...<br /><br />Sara Cox played it on Sounds of the 80s last night, too. Someone on that show is watching the repeats.THXnoreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-83139301148431816742015-02-01T12:24:24.200+00:002015-02-01T12:24:24.200+00:00Hi Julie! Haven't heard from you for a while? ...Hi Julie! Haven't heard from you for a while? GTO was a prolific label, as they also had Donna Summer, Billy Ocean and Fox on their roster, plus they magaed a couple of chart entries by Dana and a one-off comeback hit for Duane Eddy.<br /><br />Not too keen on "Babe", but I prefer this to what is probably Styx's second-best known song over here, "Mr. Roboto"!Arthur Nibblehttps://www.blogger.com/profile/11547006132533866220noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-85342010386561878562015-01-31T23:20:04.179+00:002015-01-31T23:20:04.179+00:00I've plenty to say about this week's episo...I've plenty to say about this week's episode, which was packed with well-crafted songs and classy acts.<br /><br />New Musik - signed to CBS subsidiary GTO Records, which was also home to Heatwave and The Dooleys - delivered a perfect pop record for its time, but please tell frontman Tony Mansfield that he's not fingering the G major chord correctly on the 12-string!! No wonder he ended up producing Captain Sensible - whose '84 hit 'Glad It's All Over', co-written and overseen by Mr Mansfield, uses part of the same tune.<br /><br />Sad Cafe's song reminded me somewhat of 10cc - which is at least partly explained by the presence of Eric Stewart in the producer's chair. Like Tom Robinson's Peter Gabriel-assisted minor '83 hit 'Atmospherics (Listen To The Radio)', it is of very high artistic quality but lacks a commercial hook. Cafe's real follow-up to 'Every Day Hurts' would be their next 45, the Jagger-inspired 'My Oh My', which made the Top 20.<br /><br />Sister Sledge's 'missing' member may well have been attending to her family; it was commonplace in that group for members to take time off when maternal commitments called. Not one of the Chic Organisation's strongest songs, but the composers would redeem themselves in the autumn with Diana Ross's career-reviving international chart-topper 'Upside Down'.<br /><br />Amii Stewart's ballad 'Paradise Bird', co-written by Simon 'EastEnders' May, was an exquisite piece of work - but probably too slow for the radio, hence its peak position of 39.<br /><br />Styx, like so many US stadium fillers of their ilk, enjoyed only a brief British chart career - though this immaculate ballad made enough of an impression on the British consciousness to inspire an impersonation of lead singer Dennis De Young on ITV's 'Stars In Their Eyes' in '99.<br /><br />I was pleased when 'Green Onions' - a big favourite with Georgie Fame, and indeed with Britain's mods - finally made the British Top 10. Legs' black-and-white outfits reflected the then-current mod revival perfectly.<br /><br />Finally, British-born American songsmith Rupert Holmes turned out a warm, witty, melodic narrative that rightly made the British Top 30 as well as topping the US chart. His follow-up single 'Him', a more sombre tale of a relationship in jeopardy but again a Top 10 hit Stateside, owed something of a musical debt to the Doobie Brothers circa 'What A Fool Believes' - and even matched the latter's British chart position of 31. The limited acceptance of these two acts, and indeed Styx, among British record buyers underlines the differences in national tastes between this sceptred isle and The Big Country.<br /><br />Overall, this is one of the most enjoyable episodes of TOTP - and well worth catching in full on BBC iPlayer.Julie Joanne Bevanhttps://www.blogger.com/profile/13480391445628307945noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-86154088655189808482015-01-31T20:02:06.959+00:002015-01-31T20:02:06.959+00:00You're in luck, No less than three unfettered ...You're in luck, No less than three unfettered appearances for "My Oh My".Arthur Nibblehttps://www.blogger.com/profile/11547006132533866220noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-65913304720761176832015-01-31T18:28:26.158+00:002015-01-31T18:28:26.158+00:00Now this was a good one - New Musik, Sad Café, Mad...Now this was a good one - New Musik, Sad Café, Madness and Dexy's, a good sprinkling of American artists with live performances, a flashback to the Sixties Mod scene and a power pop classic at No.1 to top it all off!<br /><br />Interesting to see how Simon Bates held his mic in these early appearances - at one point so low as to be off-screen - compared to later in the decade when he looked to be biting a chunk out of it. I did like the way he referenced other song titles in his links, including 'One Step Further', which wasn't to be written for a couple of years yet!<br /><br />New Musik songs don't have the most intricate of basslines in them - I think he was just bored.<br /><br />This Billy Preston/Syreeta thing seems to have been around for months. Yes I know it's a superb live performance but I for one am starting to grow tired of Mr. Preston's obvious prowess on the ivories. It's the piano equivalent of those 2000-notes-per-minute metalhead guitarists - we had a term for that at hospital radio which we couldn't use on air and I don't think I can use here.<br /><br />I'm surprised how folk are dismissing Sad Café as one hit/one-and-a-half hit wonders. A Top 20 record follows this which I'm sure you'll all remember! Paul Young showing off his New Year haircut by the look of things.<br /><br />Dexy's Midnight Runners with Dance Stance or Burn It Down, depending on whether you have the single or the LP. The latter version is the one with the naughty word inserted between "shut your" and "mouth".<br /><br />Amii Stewart - a very attractive lady marred by make-up applied with a trowel.<br /><br />It's been a while since we've had some of that underexposed concert film stuff, but here are Styx with, apparently, the record version overdubbed. If this was live then it's a truly impressive piece of sound mixing.<br /><br />Hard to believe today, but Green Onions never made the UK charts until this time, although it was a US No.1 in its day.<br /><br />I too noticed how the end title sequence froze on the last two credits - was this done in 1980 or 2015? Let the conspiracy theories begin....Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-25103495349104918332015-01-31T17:29:38.640+00:002015-01-31T17:29:38.640+00:00Gill and Pauline were in the episode I saw!Gill and Pauline were in the episode I saw!THXnoreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-45163923087537160902015-01-31T12:37:57.966+00:002015-01-31T12:37:57.966+00:00I forgot to mention above that also Sister Sledge ...I forgot to mention above that also Sister Sledge were the third American group to appear in the TOTP studio on the same week, and so that makes three just this week, to add to KC & the sunshine band the week before without actually performing.<br /><br />Styx - I don't remember the video at the time, but the song made a big impression for me for the rest of the year. I managed to get the video some 26 years later in 2006 from iTunes, and it's still there for people to download it to have in their collection. Personally, I really like this track, and it's a pity if it only got one showing on TOTP in Jan 1980.<br /><br />Booker T & The MGs - I love Green Onions in song only, and what made it even more tasty was seeing Rosie taking Simon Bates out of the studio before joining the other girls in their 60s skimpy dresses. However, no sign of Gillian and Pauline this week??Doryhttps://www.blogger.com/profile/07718769648375882927noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-25864996901991822702015-01-31T12:27:21.365+00:002015-01-31T12:27:21.365+00:00Amii Stewart didn't appear to look cold, even ...Amii Stewart didn't appear to look cold, even though it was in the middle of winter in January 1980, but she was indeed looking very fertile in that skimpy dress, no doubt giving Legs & Co a good run for their money, but Amii wins hands down this week.<br /><br />I too did not remember this track at the time, but it is a great one and on a par with Light My Fire and Knock On Wood. This is where Sad Cafe should have learned to bring out the ballad after the dance offerings, and not put all your food out of the fridge too early, or there will be nothing left to eat afterwards.Doryhttps://www.blogger.com/profile/07718769648375882927noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-26385303308542834272015-01-31T12:20:47.285+00:002015-01-31T12:20:47.285+00:00Lots of goodies on the show, including Simon Bates...Lots of goodies on the show, including Simon Bates taking a walk outside with Rosie of Legs & Co. Lucky man!<br /><br />It's interesting how a number of chart acts from America who were not available to come to the TOTP studio in 1979, were all suddenly available for the TOTP studio in Dec 79 and Jan 1980. <br /><br />Examples include Blondie, KC & The Sunshine Band (interviewed on last week's show with David Jensen, but not performing), and from this week's show alone, Dr Hook and Amii Stewart.<br /><br />Chart rundown - I noticed a sweet moment on this week's chart for Nile Rodgers who's two groups were in the chart side by side, this week at No. 21 and 22 for for Chic and Sheila B Devotion respectively. Another great moment in chart history for the great disco icon Mr Rodgers.<br /><br />Doryhttps://www.blogger.com/profile/07718769648375882927noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-6497239874152886102015-01-31T12:02:35.626+00:002015-01-31T12:02:35.626+00:00A good point about Billy Preston & Syreeta, re...A good point about Billy Preston & Syreeta, regarding it being worth repeating for its superb live vocals, so Angelo, I can't agree with you on this occasion, about editing them out of the 7.30 show, especially as they had now reached No.2 in the charts, and so it would be a bit cruel to edit out a No.2 from the 7.30 show.Doryhttps://www.blogger.com/profile/07718769648375882927noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-14587749513418111112015-01-31T11:14:33.555+00:002015-01-31T11:14:33.555+00:00This comment has been removed by the author.Doryhttps://www.blogger.com/profile/07718769648375882927noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-6727979884748632972015-01-31T11:11:50.725+00:002015-01-31T11:11:50.725+00:00I must say that I did not remember the Dexys hit D...I must say that I did not remember the Dexys hit Dance Stance at the time, as they were making their debut on TOTP, and were unheard of, so this fell through the net.<br /><br />The trumpet sound only really got noticed on Geno later in the year, and I'm sure that if Geno was their debut hit, and Dance Stance released after, then it would have been a much bigger hit, but both songs are very appealing when taken from the same debut album.<br /><br />Overall, this TOTP January 1980 chart was a defining moment in chart history, as it gave the public their first glimpse of Dexys, even though this debut hit did not make hay.Doryhttps://www.blogger.com/profile/07718769648375882927noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-18043427693670437842015-01-31T11:02:57.391+00:002015-01-31T11:02:57.391+00:00Have to agree about Sad Cafe. Although I like this...Have to agree about Sad Cafe. Although I like this song, I guess the reason it did not make top 30 is that their first hit at the back end of 1979 was a pure ballad, and it is not customary to start your career with a ballad and then bring the upbeat dance track as a follow up. <br /><br />Most bands do it the other way round, in order to use the ballad as a break from the dance floor offerings. I can't think of anything a apart from their first hit Everyday Hurts when I think of Sad Cafe.Doryhttps://www.blogger.com/profile/07718769648375882927noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-89330529377482641122015-01-31T10:08:53.833+00:002015-01-31T10:08:53.833+00:00if Kate Bush copied Rupert Holmes's idea (who...if Kate Bush copied Rupert Holmes's idea (who we already knew from his airplay hit Our National Pastime) then Rupert copied Brotherhood of Man - their 1977 non-hit Highwayman is also has the same scenario.<br /><br />As mentioned Sister Sledge's recording sounds better than the ToTP orchestra backed version, indeed it along with Thinking of You are my joint favourite singles of theirs (Frankie being my least favourite)<br /><br />That's my favourite of Sad Cafe's 3 hits - do they get to do the follow up My Oh My, or is that musician union strike affected?Nutty Big Dhttps://www.blogger.com/profile/11301919297617290031noreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-25166105422640235842015-01-30T22:32:24.022+00:002015-01-30T22:32:24.022+00:00A bumper show, full of the good, the indifferent a...A bumper show, full of the good, the indifferent and, in the case of Rupert Holmes, the downright awful. The man himself looked almost as smug as his trite, pointless song, and as mentioned above he did look a little like Steve "Love the Show" Wright, whose debut is now just a few short weeks away...<br /><br />Happily there was better fare on offer, not least from Amii Stewart with a pretty tune that I had never heard before - shame that rather jaw-dropping outfit did not propel it into the Top 30! Interesting to see Dexy's make their debut, with another song that is new to me. Dance Stance sounds a bit like a rather ragged warm-up for Geno, but it has its moments and cements my preference for the Mark 1 Dexy's over the raggle-taggle gypsy incarnation of 1982.<br /><br />New Musik weren't bad, but perhaps were trying a little too hard to be of the moment. The Sister Sledge effort, meanwhile, sounded far too much like a rehash of their previous Chic-provided hits. It also looks as if they recorded this performance months earlier, as the set was the one used during the summer of 1979. Was the lead singer sporting braces? It looked like it, but was hard to tell for sure.<br /><br />I don't mind the Sad Café song, which I am familiar with from the Facades album, though it was so completely different from Every Day Hurts I am not surprised it nonplussed record buyers at the time - not really a smart choice for an important follow-up single. Positive Force were a bit bland, but at least they did get the normally comatose audience moving, while Legs looked fantastic in their Thereza Bazar-inspired 60s outfits, and turned in a great performance as well. The less said about Styx the better - while I do have a soft spot for some AOR power balladry, I am immune to the charms of this one!<br /><br />Finally, I must grudgingly admit that Master Bates did a much better hosting job this time than in his shambolic debut, but smarminess and occasional creepiness continue to ooze from his every pore...John Gnoreply@blogger.comtag:blogger.com,1999:blog-6656821189691902130.post-75517472575676835252015-01-30T21:18:05.021+00:002015-01-30T21:18:05.021+00:00like the single release of "american pie"...like the single release of "american pie", it's another case of part I and part II:<br /><br />sad cafe: record company a&r man: "okay boys, you've just had a big hit with a clever and stylish ballad, what are you going to follow it up with?" band: "well, we've got this thing that is basically just a crunching drumbeat with the odd guitar fill here and there, and a complete lack of any noticeable melody - will that do"? what the hell possessed their record company to release this rubbish - it isn't even good enough to be album filler, never mind a critical follow-up single that would cement the band's standing and prevent them going down in flames as one-hit wonders! after this they deserved to fade into obscurity. also not helped by most of the band's desire to remain resolutely stuck in the 70's fashion-wise (in contrast to their singer who thinks he's robert palmer!)...<br /><br />dexy's: i never understood what all the fuss about this lot was about... in whatever incarnation they looked and sounded! their horns always sound as flat as a pancake to me (somehow i don't think maurice white would have hired them!), and the rhythm section isn't much better. sadly kevin rowland doing the crawl can't save this from sinking without trace...<br /><br />amii stewart: i didn't catch slimy's intro so in my ignorance presumed it to be grace kennedy (or some similar light-entertainment singer), and that this was from an andrew lloyd webber musical. as it wasn't it seems a pointless exercise to release it as a single. angelo informs us that our old totp chum simon may was responsible for this - still, at least he didn't "sing" on it!<br /><br />rupert holmes: at the time of release i don't think anybody in this country knew exactly what a pina colada was. which probably explained its lack of success here even though it was massive stateside. i've still never actually consumed a cocktail in my life (due to the rip-off prices), although i nurse an ambition to one day (when i'm flush) to go to a tiki bar and get totally smashed on them! as mentioned above, rupert's (roop's?) follow-up single "him" was far superior, with an interesting lyric and a great hook for a chorus, and yet it made even less impact...<br /><br />pretenders: i never tire of hearing this, although the audience were so close this time that when it started i thought there was a new member of the band behind chrissie!<br /><br />jon and vangelis: i've always liked this, especially the sequenced synth riff that remains constant whilst everything else weaves around it. jon's singing is an acquired taste though (wonder if yes fans had problems separating his vocals from the music?). had this been done by some hip guys in shiny suits or kilts rather than a couple of long-haired and beardy (respectively) prog rock relics, perhaps like "spirits having flown" it might be better remembered. vangelis of course went on to produce one the best soundtracks of all time with "blade runner"...wilberforcehttp://www.gavinunderhill.co.uknoreply@blogger.com